Gina Dominique, “Populus, Humilis et Divinus, (People, Humble and Divine),” Acrylic on linen, 180 x 38 in., 2023- Detail

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

Gina Dominique, ‘Tree of Everything (with 5/25 ‘AutoAbstraction’ thesis drafts)’ installed, acrylic on drop cloth with stack of five hard copies of dissertation drafts, 15 ft 6 in. x 5 ft 10 in. | 4.2 x 1.8 meters, (folds at wall/floor juncture) 2025

Lorna Simpson: Source Notes, exhibition image, 2025

Submission process graphic

Virtual Writing Retreat logo

Whitney Museum installation view of ‘Shifting Landscapes’ exhibition, 2025

MAXQDA24 Map of Gina Dominique’s Artist Interview Codes 2024

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

TT Thursday Writing Group, pictured- me- Gina Dominique (top right), Karen Ami (center right), Anne Sophie Lorange (bottom), Juliette Ludeker (center left), Nancy Messegee, (top left)

Gina Dominique screenshot credit January 2025.

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

‘The Domain of Aesthetics’ chart

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

Gina Dominique, screen shot of Julliette Ludeker and me during a zoom dissertation writing session 2024

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

devon information annual review image detail

Gina Dominique, screenshot of Tuesday, September 17 LJMU Doctoral Academy ‘Preparing for Submission’ workshop

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

Gina Dominique, screen shot of 2022 Interview of Dannielle Tegeder

Anne Sophie Lorange, TT in Liverpool 2024- Anthologies Public Talk- Gina Dominique on research project “AutoAbstraction” Chapter 2- Methodology & Research Design